Exploitation & Social Discrimination Portrayed In The Joker Movie (2019): A Study Of Class Analysis

Andi Farid Baharuddin, Amelia Novita Gosal

Abstract


Film is a cultural instrument that can educate people. Through an interesting film, people can activate their intellectualisation in seeing the social situation that occurred in the film. This research examines Joker (2019) a movie containing the discourse ofexploitation  and the social discrimination system related to this era. In this study, researchers elaborate (1) what forms of exploitation and social discrimination does the Joker film have?; and (2)  what are the impacts of the exploitation and social discrimination in the film. The research method used is qualitative. Then in collecting data, the researchers first classify three types of data, namely primary  data, secondary data, and supporting data. These three data are an effort to strengthen the arguments of this study. Furthermore, to analyze the research problem above, the researchers use one of the branches of the sociological theory of Marxism, namely class contradiction analysis and also the theory of communication science called critical discourse analysis to analyse the issue of news media coverage in this film. The results of this study indicate that the form of exploitation and social discrimination in the Joker film is divided into three areas, namely (1) the Health Sector, (2) the Labor Sector and (3) the Media News Sector.

Keywords


The Art of Film; the Joker Film (2019); The Class Analysis Theory; The Social Discrimination.

Full Text:

PDF

References


Asrinaldi. (2012). Politik Masyarakat Miskin Kota (1st ed.). Gava Media.

Baharuddin, A. F. (2019). The Poverty Avelliation in Orwell’s Animal Farm. Universitas Hasanuddin.

Baharuddin, A. F. (2018). The Political Hegemony in Orwell ’ s 1984. In F. Rahman (Ed.), 3rd Annual Seminar on English Language Studies 2018 (Issue 1, pp. 365–366). FIB-UH Press. https://www.researchgate.net/publication/343223703_The_Political_Hegemony_in_Orwell’s_1984/references

Barker, C. (2003). Cultural Studies Theory and Practice (2nd ed.). Sage Publication Inc.

Bourdieu, P. (2010). Dominasi Maskulin (D. M. Y. & S. Pavitrasari (ed.); 1st ed.). Percetakan Jalasutra.

Desti, S. (2005). Dampak Tayangan Film Di Televisi Terhadap Perilaku Anak. Dampak Tayangan Film Di Televisi Terhadap Perilaku Anak Jurnal Komunikologi, 2(1), 1–7.

Endraswara, S. (2003). Metodologi penelitian sastra: epistemologi, model, teori dan aplikasi (1st ed.). Penerbit Pustaka Widyatama.

Fernando, J., Sasongko, Y. P. D., & Marta, R. F. (2020). Aktivasi Psikologi Kognitif Melampaui Kesepian dengan Perspektif Komunikasi dalam Film Joker. MEDIALOG: Jurnal Ilmu Komunikasi, 3(1), 109–119. https://doi.org/10.35326/medialog.v3i1.517

Kusumastuti, E. (2009). Ekspresi Estetis Dan Makna Simbolis Kesenian Laesan. Harmonia - Journal of Arts Research and Education, 9(1). https://doi.org/10.15294/harmonia.v9i1.666

Martono, N. (2012). Kekerasan Simbolik di Sekolah Sebuah Ide Sosiologi Pendidikan Pierre Bourdieu (S. P. T. Utami (ed.); 1st ed.). PT Raja Grafindo.

Mudjiono, Y. (2011). Kajian Semiotika Dalam Film. Ilmu Komunikasi, 1(1), 123.

Munfarida, E. (1970). Analisis Wacana Kritis Dalam Perspektif Norman Fairclough. KOMUNIKA: Jurnal Dakwah Dan Komunikasi, 8(1), 1–19. https://doi.org/10.24090/komunika.v8i1.746

Muthmainah, N. A. (2020). Penokohan Film Joker Karya Todd (ANALISIS RESEPSI TOKOH ARTHUR FLECK OLEH ANAK MUDA USIA 18-24 TAHUN DI JAKARTA SELATAN). Universitas Pertamina.

Ningsih, B. M., & Widiharto, C. A. (2014). PENINGKATAN DISIPLIN SISWA DENGAN LAYANAN INFORMASI MEDIA FILM. Empati: Jurnal Bimbingan Dan Konseling, 06(April), 51–52.

Prawironegoro, D. (2012). Karl Marx: Ekonomo Politik dan Aksi Revolusi. Nusantara Consulting.

Siswati, E. (2018). Anatomi Teori Hegemoni Antonio Gramsci. Translitera : Jurnal Kajian Komunikasi Dan Studi Media, 5(1), 11–33. https://doi.org/10.35457/translitera.v5i1.355

Teeuw, A. (1984). SASTRA DAN ILMU SASTRA PENGANTAR TEORI SASTRA (Bahasa Ind). PT. Dunia Pustaka Jaya.

Toer, P. A. (2003). Realisme Sosialis dan Sastra Indonesia. Lentera Dipantara.

Unayah, N., & Sabarisman, M. (2015). FENOMENA KENAKALAN REMAJA DAN KRIMINALITAS THE PHENOMENON OF JUVENILE DELINQUENCY AND CRIMINALITY. Sosio Informa, 1(2), 121–140. https://doi.org/http://dx.doi.org/10.22146/jpsi.6959

Wibisono, G. (2019). Hidup Adalah Komedi : Analisis Filsafat Eksistensialisme Pada Teks Film ‘ Joker .’ Habitus: Jurnal Pendidikan Sosiologi Dan Antropologi, 3(1), 69–78.




DOI: https://doi.org/10.29313/mediator.v14i2.6482

Refbacks

  • There are currently no refbacks.


Bookmark and Share


 

   

 


Creative Commons License
This work is licensed under a  Creative Commons Attribution 4.0 International License